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Story/Time: The Life of An Idea

Bill T. Jones With Talli Jackson and Erick Montes Chavero
In Conversation With Kristy Edmunds
Thursday, March 5, 2015
00:44:09
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Episode Summary

The multi-talented dancer, choreographer, and director Bill T. Jones presents a provocative collage of movement, music, and personal narrative from Story/Time, a recent dance work produced by his company and inspired by the legendary composer John Cage. This program coincides with the publication of a new book based on Jones’ brilliant hybrid work and meditations as an African American artist struggling to find a place in a white-dominated dance world. Jones and two extraordinary dancers from his company will perform and then discuss this powerful experiment in storytelling.

Co-presented with Center for the Art of Performance at UCLA.


Participant(s) Bio

Bill T. Jones is the recipient of many awards, including the 2014 Doris Duke Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed musical FELA! and the 1994 MacArthur "Genius" Award. Mr. Jones choreographed and performed worldwide with his late partner, Arnie Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. Mr. Jones is the Artistic Director of New York Live Arts, an organization that strives to create a robust framework in support of the nation’s dance and movement-based artists through new approaches to producing, presenting, and educating.

An artist and curator, Kristy Edmunds is known for both innovation and depth in the presentation of interdisciplinary contemporary and performing arts. As director of UCLA’s public performing arts program, she has formed a creative habitat for supporting artists and presenting their work. Edmunds was the Founding Executive & Artistic Director of the Portland Institute for Contemporary Art (PICA) and the TBA Festival (Time Based Art) in Portland, Oregon. She was Artistic Director for the Melbourne International Arts Festival from 2005-2008.



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