Ste. Ostrich in Manhattan: The Visitations of a Martyr (1990) was written and illustrated by Lois Morrison, with Julie Chen serving as the paper engineer. This artist's book represents what is known as a carousel moveable book; a carousel book can be fanned out 360 degrees, allowing the book to stand on its own and present a narrative in the round.

The narrative posits the titular bird as an anthropomorphic martyr braving the indifferent world of Manhattan. Rockefeller Center, the Statue of Liberty, the Brooklyn Bridge, and the Empire State Building (with the specter of King Kong in the air) function as cultural touchstones while the sainted fowl bequeaths her gifts to apathetic New Yorkers.

Author Lois Morrison's work often relies upon fabric to realize her art, but, as in this instance, paper can be utilized to the same effect and may help to create an entirely unique piece. Morrison's stories are whimsical and often involve animals, eschewing domestic pets in favor of more unexpected protagonists like goats, capybaras, and, as in this case, the ostrich who has achieved sainthood. Her art for this book demonstrates an eye for detail and exceptional mastery of pen and ink on paper.

Julie Chen, Morrison's longtime collaborator and friend, has been instrumental in the realization of nearly all of Morrison's work. This book, in particular, demonstrates Chen's mastery as a paper engineer, and the presentation is both intricate and methodic, allowing Morrison's artwork to stand as the central attraction. The book block has been stitched together by hand with a turquoise thread that compliments both the cover font and also contrasts with its vivid yellow fabric cover. The cover can be separated from the book block, allowing Morrison's work to be displayed independently.

A striking and unique example of art taking the form of a book.